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WORKS IN PROGRESS
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IN THE STUDIO
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In my studio you can usually find paintings in various states of completion.
Below are my two latest works, followed by the evolution of my painting The Face of Kali.
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VISHNU-CHRIST AVATAR
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Adam and Eve before the Tree of Knowledge
(click on the image for details)
This is the bottom of a grisaille painting
where I'm playing with the mix of Hindu and Gothic
styles and iconographies.
Below is the whole composition.
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IN THE BRIDAL CHAMBER
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This is a Wedding Portrait
of my wife Florence and myself
(as well as our cat Zen on the left...)
I've just finished a novel called
The Hidden Passion:
A Novel of the Gnostic Christ Based on the Nag Hammadi Texts.
A lot of Gnostic imagery appears in this painting,
particularly their rite of 'the Five Seals'.
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THE FACE OF KALI
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The images below offer a glimpse into the various stages that went into this painting.
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Drawing stage:
Face of Kali superimposed
over Madonna with Child
and Madonna Dolorosa
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Underpainting with burnt umber
and golden green
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Refined the Madonnas
with white underpainting,
glazes and local colours
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The white underpaintingr
of Kali's face,
awaiting amber glazes
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First amber glazes
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More glazes
and finished details
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This was an ambitious project. The composition in the drawing stage may seem complex, but the layers of paint and colour eventually distinguish the forms. After finishing the burnt umber underpainting, I glazed with golden greens and ochres to create a sombre atmosphere. Then, I highlighted the madonnas with white and glazed over them, refining them until they had a strong enough presence to be seen through the face. The face of Kali was painted semi-transparently in whites, and repeatedly glazed. Afterwards came the final details.
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Brown umber underpainting
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Refined with white underpainting,
glazes and local colours
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White underpainting of the face of kali
awaiting the amber glazes
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Amber glazes over white
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THE FIGURE OF KALI
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Drawing
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Underpainting
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Finished
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A preparatory sketch
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